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I say this because I witnessed first-hand how the show brought me and the brotherhood, my high school friend group of African-American and Latino boys, together. What amazed me most about the Fresh Prince of Bel-Air, and what inspired me to do a study on the 90s sit-com, was the potential of the show to be used as an outlet for discussions on race, class, and the black experience, amongst other things. What attracted me to The Fresh Prince was its humor and the way the show presented a multiplicity of black narratives that were relatable to me and other viewers that identified as black. Later, in my teens, the show would serve as a gateway into better understanding and appreciating my own blackness.

At that moment, it almost felt destined that I should stumble upon The Fresh Prince. She told me that it was my eldest brother’s favorite show and that I was named Jeffrey after the British butler, Geoffrey, Patrick’s favorite character. My mother walked in and started laughing because she recognized the TV series. I recall one afternoon, flipping through the channels searching for something to watch and falling upon The Fresh Prince of Bel-Air.

Cameroon was my roots – it was what made me the individual that I am – being African-American meant constructing a black identity that would allow me to be accepted in the African-American neighborhoods I inhabited. As I grew older, I kept trying to bridge the gap between my two black identities, African and African-American. At the time, I couldn’t understand why they taunted and isolated me from my 5-year-old perspective we were all black and it was that blackness that drew us together, despite our various ethnic backgrounds. Every day I was confronted with harsh name-calling by black boys and girls of the same age, at school and in our neighborhood, because of my black African identity. When my mother and I arrived in 1999, we settled in a predominantly African-American community in North Minneapolis. –Darnell Hunt īorn in Cameroon and then emigrating to the United States at the age of five, I’ve grown up confused about my African-American identity. culture, one dependent upon an institutionalized complex of prototypical signifiers: the African’s dark skin his coarse and curly hair her earthy and unrestrained culture his brute physicality. Blackness has always played a fundamental role in U.S.

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